genial! espero ver los avances!
ufff trmendo currazo... toda la pintaza... yo soy un enamorado de las paulas... y de slash!!!
#75 Ayayaya Que comentario !!! yo si me apunto a la guitarra....
Que proyecto hermano! estaré atento a tus avances, animo y como dices lento pero seguro para que todo salga bien no hay prisa (bueno ya la quiero ver terminada) jaja pero tomate tu tiempo.
Alguien menpodria traducir esto??? No soy muy ducho en el ingles y los traductores no me han ayudado adecuadamente.
Se trata de como establecer la esala para la correcta ubicacion del puente y tailpiece.
Seria:
"If you're talkin' LP or most other Gibson electrics, the scale length is 24.625", not 24.75" as Gibson has advertised for decades. Here's what I do:
Measure from the 12th fret crown (center of crown) toward the end of the guitar and make a mark at 12 5/16" (12.3125"). Pencil a mark in the center. Now I grab my metric ruler, butt the zero end to the fretboard end and measure where my pencil mark is. Note that number (in millimeters). Take that ruler or another straight edge that's somewhat flexible and put the edge against the edge of the fretboard binding on the bass side, holding it tight against the fretboard. Make a light pencil line down the other end of the straight edge in the bridge/tailpiece area of the top. Do the same from the treble side of the fingerboard. Now with your metric ruler determine the center line of the top based upon these two pencil lines you just drew. Butt the ruler to the end of the fingerboard again. Remember the mark that you made earlier denoting the 24.625" scale length theoretical? Add 2mm to the treble side and 5mm to the bass side. ARB1's should be 74mm post spacing, but it's always good to measure yours. Draw a center line by splitting the two extended lines from the fingerboard edges and using the end of the fingerboard center mark (measure this, too). Center the 37mm mark of the ruler on your center line and tilt the ruler to pick up the bass side mark and treble side mark and you've got an angle that will allow an ABR1 to intonate properly.
I take out a couple of saddles and turn them so they're optimized for the duty they'll be doing. I want the 1st, 2nd and 4th saddles to have the bevel facing the tailpiece; the 3rd, 5th and 6th facing the nut. This will give the travel you need for full intonation.
"
Les estaré muy agradecido.
#80 Leete las normas del foro antes de postear
una duda ozasch que ruteaste para el cableado ahi, la tapa o el cuerpo?, por que parece que hubiese sido la tapa, y si es el cuerpo, creo que te pasaste mucho, a menos que vayas a ponerle una tapa atras, creo que ruteaste la tapa
se interesantisimo..me uno.....